Caffe Reggio is a mainstay from Greenwich Village's café society and one of the oldest Italian coffeehouses in New York. Appearing in classic New York films like The Godfather and Serpico, the café has been frequented by Beat poets and continues to be a gathering place for artists, writers and students.
Thursday, May 31, 2012
Thursday, May 24, 2012
Air and Space
The Smithsonian National Air and Space Museum features historic airplanes and spacecraft--the 1903 Wright Flyer, Charles Lindbergh's Spirit of St. Louis, the Apollo 11 Command Module Columbia--many hanging from the trusses in the hangar-like exhibition spaces.
The US Air Force/NASA X-15 66670 aircraft (fastest and highest-flying winged aircraft of its time) conducted experiments in space sciences during flights from 1959-1968, collecting data about hypersonic flight relevant to aeronautics and the space shuttle developers.
Independence Avenue at 6th Street, SW; http://www.nasm.si.edu/.
Friday, May 18, 2012
Schiaparelli and Prada: Impossible Conversations
The Spring 2012 exhibition organized by The Costume Institute of The Metropolitan Museum of Art, Schiaparelli and Prada: Impossible Conversations, explores affinities between these two designers. Galleries juxtapose and create a visual dialogue between designs and accessories by Elsa Schiaparelli from the late 1920s to the early 1950s, and by Miuccia Prada from the late 1980s to the present.
My greatest fans were the ultra-smart and conservative women who liked severe suits and plain black dresses. --Schiaparelli
I'm told that the women who wear my clothes vary dramatically. Of course, I'd hope that they were clever and interesting. I try to make women feel more powerful without losing their femininity. --Prada
In terms of the dressed body, the exhibition explores three expressive possibilities--the classical, the exotic and the surreal. The "Classical Body" gallery focuses on the designers' links to antiquity through the gaze of the late-18th and early-19th centuries.
I feel that clothes have to be architectural: That the body must never be forgotten and it must be used as a frame is used in a building. The more the body is respected, the better the dress acquires vitality. The Greeks understood this rule, and gave it to their goddesses...the serenity of perfection and the fabulous appearance of freedom. --Schiaparelli
I look to antiquity, a time when clothes were very simple, very primitive. I love antiquity, the kind of beauty that you find in antiquity. --Prada
The "Exotic Body" gallery emphasizes the influence of Eastern cultures through saris, sarongs and other silhouettes.
My father taught Orientalism at the University of Rome...it awakened the love of Eastern things which I have retained throughout my life. --Schiaparelli
When I reference other cultures, it is usually a vehicle to express or present an idea. I'm deeply interested in China, in all its different periods. Chinese women have a long tradition of beauty, of even decadence sometimes. --Prada
The "Surreal Body" section of the exhibition focuses on how the two designers affect contemporary images of the female body through Surrealistic practices--displacement, scale and blurring boundaries between illusion and reality, artificial and natural. Both Schiaparelli and Prada were closely associated with the artistic avant-garde.
Artists took much more part in the life and development of fashion than they do now. --Schiaparelli
Nowadays, fashion no longer needs art to validate itself. Artists now realize the power of fashion to respond to current events quickly and critically. --Prada
May 10-August 19, The Metropolitan Museum of Art, 1000 Fifth Avenue, NYC; www.metmuseum.org.
Thursday, May 10, 2012
Lincoln Memorial
At the west end of the Mall, the Lincoln Memorial counterpoints the east end Capitol. Light enters the space from ceiling panels and entrance onto Daniel Chester French's iconic statue of Lincoln. The monument to the sixteenth President serves as a place for both visitors and civil rights demonstrations.
Thursday, May 3, 2012
Georgetown
Georgetown, founded 1751, still retains its atmosphere of a colonial river port town; originally a part of Maryland before being absorbed into DC in 1791. A historic district, its residential blocks enclose Federal rowhouses, freestanding townhouses and estates, modest with restrained ornament--among the most elegant houses in DC.
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